A Passage to India, director David inclinations final film (for which he also received editing credit), breaks no new object cinematically, but remains an exquisitely assembled harkback to such earlier Lean epics as Doctor Zhivago and Ryans Daughter. Based on the novel by E. M. Forster, the film is set in colonial India in 1924. Adela Quested (Judy Davis), a sheltered, well-educated British woman, arrives in the t protest of Chandrapore, where she hopes to experience the substantial India. Here she meets and befriends Dr. Aziz (Victor Banerjee), who, despite longstanding racial and social taboos, moves with sexual intercourse ease and freedom amongst highborn British circles. Feeling well-situated with Adela, Aziz invites her to accompany him on a visit to the Marabar caves. Adela has previously exhibited bizarre, intimately mystical behavior during other ventures into the Indian wilderness: this time, she emerges from the caves cover signs of injury and ill usage. To Aziz horror, he is accused by Adela of raping her. Typically, the British ruling class rallies to Adelas defense, virtually convicting Aziz before the trial incessantly begins.

Though he is eventually acquitted due to lose of evidence (in fact, director Lean never shows us what real happened), Aziz is ruined in the eyes of both the British and his own people-as is Adela. Woven into these proceedings is a subplot involving Adelas elderly travelling lad Mrs. Moore (Peggy Ashcroft), who through a series of plot twists too entangled to describe here becomes a heroine of the Indian Independence movement. A Passage to India was nominated for several Academy Awards, scoring wins in the categories of Best Supporting Actress (Peggy Ashcroft) and Best Original Score (Maurice Jarre). A theatrical version of A Passage to India, written by Santha Rama Rau, was previously adapted for television by the BBC in the mid-1970s. ~ Hal Erickson, RoviIf you deficiency to get a full essay, order it on our website:
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